"My 'job' does not exist in my culture." An Inupiaq artist opens with that observation in an essay on the dilemma of the artist in traditional Eskimo culture. The fact that her creations are not simply tools for survival can leave her vulnerable to suspicion that she is glorifying shamanism.

From the Stop and Smell the Lichen blog: All of the decoration that existed in my culture existed for a reason. The intricate graphic trim on clothing told of where someone was from and how many people they supported. The labrets on a man's chin explained his social standing. The markings carved into arrows were owners markings. There are very few examples of purely decorative beauty in my culture. ...

I am nervous. I have many images that could be tied to shamanism in my gallery. And I have suffered many words of abuse because of them. I have felt the warmth on my face when an elder shames me for even thinking of these things.

An Inupiaq artist can also be open to accusations of pushiness and arrogance.

Promoting your wares is not a natural Inupiaq ability or characteristic. It does not come natural or feel natural. We are raised to be quiet and humble, so the act of openly promoting our work and openly "pimping" ourselves is sometimes not seen as a friendly act. For as many times I have been told that I am talented and that my artwork is loved, I am also put down for my actions or inactions to include others in my promotions.

The artist, who lives in Anaktuvuk Pass, says she is working with others to create an organization "that will bring a name to our job."